Tag Archives: Star Wars

Anyone Care For Some Star Wars FanFic?

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Just for kicks, I recently decided to write my first fan fiction. Star Wars seems like the best property to take a crack at, as I feel like it’s the most in-flux, so I could pretend that I was crafting the next story that would occur after the infamous Rise Of Skywalker.

Star Wars: Converging Paths is my version of of what I’d like to see the Star Wars continuity look like in a post Sequel Trilogy timeline. There is, admittedly, some existing continuity cherry-picking that I used along the way. But I believe it will broadly fit in-line with what we’ve seen to this point.

I posted it on Archive Of Our Own, so give it a shot if you’re so inclined. I think you’ll enjoy it, if you do.

https://archiveofourown.org/works/66952024/chapters/172827007

Star Wars X And The Promised Future Of A Galaxy Far, Far Away

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It’s been almost exactly one year since I posted about my grievances with Star Wars Episode IX: The Rise Of Skywalker. Not much has happened in our favorite far, far away galaxy since then besides than The Book Of Boba Fett being a bit of a disappointment until it just turned into The Mandalorian Season 2.5 for the final three episodes. I had meant to do a follow-up post with my own pitch for the eventual Star Wars Episode X, but I hadn’t gotten around to it yet. So, here I am finally getting around to it.

For my starting point, I’m looking at the fact that the new Star Wars brain trust of Jon Favreau and Dave Filoni are spending a lot of time and resources in the unexplored period of time between Return Of The Jedi and The Force Awakens. My thinking is that they are trying to lay a sturdier groundwork for the future than the nostalgic quicksand that the sequel trilogy was built on. This may be optimistic, or I may just be way off the mark, but I’m choosing to believe there is a master plan in-place (again, unlike for the sequel trilogy).

My Star Wars X pitch starts – unsurprisingly – with Grogu. The most adorable little green dude in the galaxy would be in his 80’s when we come to the time after Rise Of Skywalker. My alien aging estimates are an imperfect science, but if 50 year-old Grogu acts a bit like a 5 year-old, then 80 year-old would make him about 8 years-old. I’m going to skew up a bit here, since Grogu would be a more functional lead character if he was behaving more like a 12-or-13-year-old. For the record – he is fully verbally communicating by this time, and not in a backward, Yoda manner either. In my mind he’s voiced by a Daniel Radcliffe or Tom Holland type.

In my mind, by the end of The Mandalorian’s run, Din Djarin is ruler of the planet Mandalore. He claimed the throne by wielding the Darksaber and by winning the trust and respect of his allies. Bo-Katan Kryze will still be involved, as she was a big part in helping Djarin’s rebuilding efforts. Both Djarin and Bo-Katan would be in their 60’s, and so vital enough to play the parts they are needed for. Grogu, as Djarin’s adopted son, was by his father’s side through the entire endeavor. This is why neither played a factor in the events of the sequel trilogy, and the war against the First Order.

Grogu has embraced his Mandalorian heritage, but he has also been training himself in the ways of the Jedi. Ahsoka Tano has helped him a bit along the way, but Grogu’s training has mostly been a personal journey. As he becomes more attuned to The Force, Grogu senses something dark and extremely dangerous growing in power. I’m not sure what this thing is, exactly, but it is absolutely not another Galactic Empire Wannabe, and it’s also not Sith-related. It’s something new and very old at the same time. Grogu feels the need to confront this emerging evil but, since he is still not what could be considered an adult, Djarin will not let his son fly out to face it alone.

Not really being able to hold his own in combat any longer – and having a planet to run – Djarin reaches out to their old friend Ahsoka Tano to accompany Grogu. Ahsoka, by this point, has been traveling for a while with fellow Jedi Ezra Bridger (rescued during the run of Ahsoka’s own show) and Mandalorian Sabine Wren (who helped with the aforementioned rescuing). I’m again speculating on the aging process of aliens, but Ahsoka will be fairly unchanged from the version we’ve seen in The Mandalorian and The Book Of Boba Fett. Ezra and Sabine may both middle-aged at this point but, for the most part, still in their primes. Grogu joins this crew, and they fly off to find one more powerful ally that they need.

Along their way, they pick up a couple of additional allies in the form of best buddies Poe Dameron and Finn. They’ve been living their best lives since defeating the First Order, but are still game to help out when it seems like trouble is on the rise. They are also more than happy to help the crew find the person they were seeking: Rey Skywalker.

Rey has started her own Jedi Academy on Tatooine where she teaches her students the value of finding balance in The Force, and not simply viewing things in terms of Light Side and Dark Side. When the crew arrives, Rey doesn’t hesitate to leave her star pupil in-charge (you may remember his as Broom Boy from The Last Jedi) as she goes where she is needed to help save the galaxy again. Maybe the whole gang swing into Mos Espa for a round of drinks, and chat with whomever takes over as Daimyo from the recently deceased Boba Feet before jetting off on their journey?

What happens after that? I’m not really sure. Space battles? Bitchin’ lightsaber action? Humorous bickering? Heart-warming discussions about found family? Some important lessons for Grogu as he continues growing into his own? Cool, Star Wars-y stuff like that.

Is evil defeated in Star Wars X? Or does it simply launch a new trilogy? I’m not sure about this either, and it doesn’t really matter to me. The most important thing to me is that the Star Wars Universe begins thriving in the present, rather than dwelling in the past. And that it rushes full-speed ahead to the future that it deserves.

What The Hell, Rise Of Skywalker?

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Way back in 2017 I wrote about The Ballad of Luke Skywalker. This was shortly before The Last Jedi was released, and I offered up some theories, and questions. The movie did answer the most important questions I had. Another of the questions was partially addressed by The Mandalorian when Luke sought out Grogu to train him. I certainly would like to see some more of that.

Luke did, essentially, get the big send off that I wanted to see in The Last Jedi. It wasn’t the way I’d imagined it, but it still worked for me. All-in-all I liked the Last Jedi quite a lot. It was a well-made movie that served up some interesting ideas to be explored in the final part of the trilogy.

Then Rise Of Skywalker happened. I’m not going to do a deep dive, because I’m a little late to the party, and pretty much every angle has already been covered 100 times. But I also wanted to wrap up my previous blog post from before my hiatus.

Rise Of Skywalker was terrible. Very likely the worst Star Wars movie I’ve ever seen. Attack Of The Clones had a strong claim to the throne for a while, but that was just the middle part of a prequel trilogy. Rise Of Skywalker was not only the final chapter of the long-awaited sequel trilogy, but also the final chapter in an extraordinarily beloved movie series that stems back more than 40 years.

Among the interesting ideas posed by The Last Jedi was that Rey was just an ordinary person who happened to be strong with The Force. Sure, I was rooting for her to be Luke’s kid, but I was fine with the fact that she wasn’t. In fact, that message was sort of inspiring in that it told us that anyone can be special.

Rise Of Skywalker decided that Rey was Emperor Palpatine’s granddaughter. Or, like, the daughter of a Palpatine clone who didn’t have any powers. Or some such nonsense that was never really explained in the movie, but was discussed in subsequent interviews. What the hell, Rise Of Skywalker?

On the same note, Broom Boy’s whimsically casual use of The Force at the end of The Last Jedi offered up another fun option. Maybe Rey would travel the galaxy to find these Force-Sensitive people, and enlist them in the final battle to defeat the First Order. Something like that could have been displayed similarly to the epic portals scene of Avengers: Endgame. Only, instead of superheroes and wizards, it would have been common people standing together and using what power they had to defeat the evil empire.

Rise Of Skywalker made no mention of Broom Boy, or anyone else like him at all. Sure, they alluded to Finn all of a sudden being Force-Sensitive, but then did absolutely nothing with him besides yelling “REY!” over and over again. Speaking of Finn, he also had a big secret that he wanted to tell Rey. He never told her, and therefore the audience never found out.
But we were again told after-the-fact that he wanted to tell her he was Force-Sensitive. This revelation also would have made no difference to the events of the film regardless, so who really cares. What the hell, Rise Of Skywalker?

Kylo Ren was made into a really interesting shades-of-gray character by The Last Jedi, before decided to stick to the Dark Side and slice his way to Supreme Leader status. The clear conflict within him sizzled up ever scene he was in, especially his scenes with Rey.

In Rise Of Skywalker, he falls immediately back in-line under Palpatine like Darth Vader 2.0, even though he had made a big deal of becoming the true big boss man of the First Order in the previous movie. So, he’s just bad again until he talks to a hallucination of his dead father, Han Solo, and is suddenly not bad anymore. Han was not a Force Ghost, not really a memory, and also not explained at all by the movie. What the hell, Rise Of Skywalker?

Honestly, I could go on and on about this stuff, so here’s a few more quick takes.

Palpatine is just back, which is super lame, and you would have only seen it coming if you played Fortnite. What the hell, Rise Of Skywalker?

Rose Tico just doesn’t matter anymore, even though she spent the entirety of The Last Jedi building a pretty fun relationship with Finn. What the hell, Rise Of Skywalker?

Poe and Rey have one scene of a kinda flirty Han-and-Leia interaction, and then it’s never mentioned again. But Poe’s ex-girlfriend shows up for a few scenes to waste time on a subplot that could have been wrapped up in one or two scenes. What the hell, Rise Of Skywalker?

Chewbacca and C-3PO die, or are erased, in service of the greater good. Until they’re back, and right as rain 10 minutes later. Even dramatic sacrifices are brushed aside, and immediately retconned (like J.J Abrams tried to do with the entirety of The Last Jedi). What the hell, Rise Of Skywalker?

When Ben Solo finally completes his slapdash redemption arc, and somehow manages to make a couple of cool moments happen, he’s immediately blasted down a bottomless pit before he can even take a swing at Palpatine. He could have, at least, battled Palpatine’s army of faceless fans(?) in the stands while Rey took on Palpy himself. But, nah. What the hell, Rise Of Skywalker?

And many, many more issues that became even more prevalent when I finally decided to give Rise Of Skywalker a second chance after almost a full year.

At any rate, I wanted to put a bow on my 2017 blog about Luke Skywalker, and I have. I’ve very happy that the Star Wars universe is expanding, and I freakin’ love The Mandalorian. I’m also very much looking forward to some of the other announced projects coming, especially the Ashoka Tano, Obi Wan Kenobi, and Boba Fett shows.

The only issue is that all those projects take place in the past, meaning that for the foreseeable future, Rise Of Skywalker is the end of the Star Wars Saga. I really hope that’s not the case for long.

They’ve finally got the right people in-place to shepherd Star Wars back to greener pastures (yes, another shot at J.J) with Jon Favreau and Dave Filoni’s Mando staff. I’m also happy to hear that Rian Johnson is still set to make more Star Wars movies as well. If they’d given him Rise Of Skywalker it probably would have been more “Hell Yeah!” than “What The Hell?”

So, I will hold out hope that Star Wars Episode X, or whatever they end up calling it, can turn Star Wars back into the Crown Jewel that Disney envisioned when they bought the rights from Lucasfilms. Hope, after all, is where this whole thing started in that long time ago galaxy of 1977.

The Ballad Of Luke Skywalker

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It may sound crazy, but I feel that Luke Skywalker always got the short shrift.

Sure, everyone is super excited to see what’s become of the character thirty years after we saw him vanquish the Sith from the galaxy. But there was a time, a very long time I think, where no one really wanted to give Luke is props. At the very least, no one wanted to be Luke Skywalker.

Most people seemed to want to be Han Solo, because he was a roguish space cowboy. Or Darth Vader, because he was clearly the baddest dude in the galaxy. Or even Boba Fett, because he had a cool-looking helmet and a cool-sounding job title. But Han had no discernible character arc, Vader was overrated with a .500 record in on-screen lightsaber duels, and Fett was really just a jobber with cool ring attire.

Now, some may write off Luke as a boring old Chosen One character, but that’s not really true. The only thing “chosen” about him was something he shared with Princess Leia – that being Anakin Skywalker/Darth Vader’s child. No, typically a Chosen One shows up, denies how chosen they are few a few scenes, and then suddenly save the world.

Luke, in fact, had quite a long and winding path to becoming the Jedi who saved the galaxy. I’m breaking his story down into eight parts (or Episodes, in keeping with the Star Wars themes) in honor of the forthcoming Episode VIII: The Last Jedi.

So gather ’round, ye children, and let me sing you the Ballad of Luke Skywalker.

Episode I: The Dreamer

When we first meet Luke, he’s a restless young man living on a moisture farm with his Uncle Owen and Aunt Beru. We’re told that most of his friends have already left Tatooine to join the academy, and seek adventure amongst the stars. Meanwhile, the closest he can get to those stars is longingly watching the binary sunset.

His journey begins with the hologram of a mysterious girl beseeching a man named Obi Wan Kenobi for help. This leads to his recently acquired droids – R2-D2 and C-3PO – to lead him out into the desert towards Master Kenobi. It’s here that Luke learns of his heroic father (as far as he’s told by crazy old Ben Kenobi at any rate).

Obi Wan wants to lead Luke out into space on a quest to save the galaxy from Imperial rule. But Luke – being a good and responsible “son” – refuses to fly off until his aunt and uncle are murdered by Storm Troopers. Shortly thereafter he, Obi Wan, and the droids hire a smuggler and his Wookiee co-pilot to take them off Tatooine and mount a rescue mission of Princess Leia.

Episode II: The Hero Of The Rebellion

After getting an abbreviated Jedi 101 course from Obi Wan, Luke and his allies find their way onto the Death Star in their mission to rescue Leia.  As any amped-up teenager on his first adventure would, Luke rushes headlong into heroism without a doubt in his mind that he is right, and that right always wins.

During their escape from the Death Star, with Leia in-tow, Obi Wan is struck down by Darth Vader. They manage to reach a Rebel Alliance base, but Luke is shaken from the loss of three parental figures in a very short span of time. Still, he’s willing to jump into an X-Wing fighter jet and strike back (as it were) by taking a massively long shot at destroying the Death Star.

With Obi Wan riding shotgun, in Force Ghost form, Luke is able to make the shot and obliterate the Death Star. This cements his role as a hero, and a symbol, to the rebellion. It also sets him on a path that he will soon be unable to walk away from even if he wanted to.

Episode III: The Impatient Padawan

After scoring something of a Pyrrhic victory on the ice planet of Hoth, Obi Wan sends Luke to Dagobah to seek out the ancient Jedi Master Yoda for further training. He proves to be a fast learner, but a failure during on of his tests proves to be a harbinger of darkness to come, as he lobs off Darth Vader’s head, only for the Sith lord’s mask to vanish, and reveal Luke’s own face staring back at him.

Despite Yoda’s warning that he’s not ready, Luke speeds off to Cloud City when he senses that his friends are in-danger. He arrives too late to save Han Solo from being frozen in carbonite and taken away by Boba Fett – yet another loss of some he cares for – but just in-time to face off with Vader. Luke holds his own against the superior Sith lord, but it’s not long before Vader takes Luke’s hand from him, along with something much more precious: The belief that his father was a heroic Jedi martyr.

Episode IV: The Son Of Evil

What is a guy to do when he learns that the most evil man in the galaxy is his father? The first thing Luke does is mount a rescue mission for Han. This gives him a chance to flex his Jedi abilities, and bring his surrogate family back together to mount a final assault on the Galactic Empire.

The next thing he does is return to Dagobah to get confirmation about his ancestry from Yoda. Before passing into The Force, the old master comes clean and tells Luke that Vader and Anakin Skywalker are one-in-the-same. Yoda also leaves him with the revelation that there is another Skywalker somewhere out there.

He soon realizes that Leia is his sister, but that doesn’t change the fact that – with Yoda gone – Luke is now the last Jedi. Any hope of stopping Vader and his somehow-even-more-evil Emperor, falls completely on his shoulders.

Episode V: The Last Of The Jedi

By this point, Luke has lost everyone that ties him to his past. The aunt and uncle who raised him, and the two Jedi Masters who helped him become a man. The only things left binding him to anything at all are his sister, who he leaves almost immediately after dropping that knowledge bomb on her head, and his father, who he had spent the past few years training to kill.

It’s worth noting a few overlooked details at this point. The first being that, upon taking up the mantle of Jedi Knight, Luke clothes himself in all black.  It’s a fashion choice worth mentioning not only because it is closer to what we’ve seen the Sith decked out in than the Jedi, but also Luke’s own previous white, beige, and orange gear.

The other visible change in Luke is with his lightsaber. While he’d previously wielded his (and his father’s) blue lightsaber, he now carries a saber with a darker, green blade. It’s not quite red yet, but it’s closer than we’d seen before (not considering the prequel films, of course).

Still, knowing that now he is the only one who can break the tyrannical Sith lords’ grasp on the galaxy, Luke allows himself to be taken to the new Death Star to embrace whatever fate might hold for him.

Episode VI: The Sith Apprentice?

A very bizarre love(?) triangle plays out in Emperor Palpatine’s throne room, as both Vader and the Emperor wish to take Luke on as their Sith apprentice. This twisting dynamic plays out during Luke’s hellacious lightsaber duel with his father.

Here’s the part that doesn’t get mentioned nearly enough: Luke succumbs – at least in-part – to the Dark Side of The Force. In order to finally defeat Vader, he taps into his fear, his anger, and his hatred. The truth is that he likely would not have been able to win if he hadn’t.

Yes, he pulls himself back from the brink in the end, bringing what’s left of his father back with him. But would that be enough to heal the mental, and emotional scars that come with betraying everything Obi Wan and Yoda taught him about the Light Side and the Dark Side of The Force in his desperation to vanquish evil?

Episode VII: The Man Who Talks To Ghosts

The last we see of Luke Skywalker is Leia pulling him away from the Force Ghosts of Anakin, Yoda, and Obi Wan to celebrate the fall of the Galactic Empire. But what happened after that? How much of what happened in the throne room did he even tell Leia, or anyone else for that matter? Was the burden heaved upon him something he chose to carry alone for the rest of his life?

When we catch up to him in the closing moments of The Force Awakens, we’ve learned a little about how he spent the 30 years since defeating Vader and Palpatine. He started a Jedi school, only to have his students massacred by his own nephew, and then to flee into self-imposed exile. Other than that…

Episode VIII: ?

There are many questions that we need answered. Among the most pressing, for me at least, are:

When did he start his Jedi school?

How did he pick his students? How did he track down the Force-Sensitive people?

How long did it run before its destruction?

How did he lose Ben Solo to Supreme Leader Snoke, and the Dark Side?

Is he Rey’s father?

If so, who is her mother, and what happened to her?

What has he been doing while in exile?

I really do hope we find out the answers to these questions in Star Wars Episode VIII: The Last Jedi. I also hope we get to see old Master Luke unleash the full power of The Force in at least one super ass-kicking scene, since The Ballad of Luke Skywalker is deserving of a big finish.

The Alpha Breakdown – Story

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Now it’s time for the last part of my three part series breaking down The Alpha. This one will focus on the influences and inspirations for the story itself.

**There are spoilers involved so, if you haven’t read The Alpha (or The Pack for that matter), you may want to skip this until after you have.**

As mentioned in the characters post, the main theme of The Alpha is finding where you belong in the world. Of course, that also involves resolving past traumas and moving on to where you’re meant to be.

That the characters are working through their tragic pasts also allowed me to go a bit lighter with the tone. Which makes sense since who didn’t have a better time in college than in high school? You get a fresh lease on life, and you really are more well equipped to handle the emotional landmines that life lays in front of you.

I’ve also always been intrigued by the idea of secret societies directing the course of the world for their own nefarious ends. I was glad to have Hadrian Graysmith’s long tendrils give me a chance to explore that in this novel.

I wanted to change the mechanics of the story to differentiate it from the dread of the unknown that permeated The Pack. That is why I presented a trio of fully-formed venatores in the prime of their lives. In a way it was me reliving the excitement I felt when Star Wars: Episode One promised to show us that sort of fully-trained Jedi.

Luke never really became a true Jedi, Yoda and Obi Wan were past their primes, Darth Vader was an abomination, and The Pack only really showed Jack Halliday doing his best after being on a 10 year bender. Meanwhile, Craig, Izzy and Michael are all in mid-season form. I do rather hope that The Alpha was executed better than Episode One, but that’s still what planted the seed.

I also wanted to get into more action in this book than in The Pack, which built up the tension for the first two-thirds of the story before unleashing the horrific fury of violence of the last third. Allow me to indulge myself and discuss my favorite action set pieces from The Alpha.

The subway train/tunnel massacre was inspired by my many subway rides that were spent imagining what would happen if the train were suddenly attacked by monsters. What can I say, being stuck in a subterranean metal tube causes my mind to wander. It was also inspired a bit by the cult classic C.H.U.D, the creatures from which I also spent time looking for in the darkened tunnels that shot off in all directions.

That led directly to Michael winning a hard fought battle against a horde of vampires, and then moving directly onto the big boss. The rooftop pummeling  was my chance to lay some groundwork similar to Batman: Knightfall, wherein our hero is not really prepared to deal with his nemesis and so is nearly beaten to death by him. That, of course, sets up the big rematch at the end.

Michael and Natalie as reluctant partners has its roots in most buddy cop movies or team-ups similar to Buffy & Spike or Daredevil & The Punisher. The pair fighting their way up the Graysmith Enterprises building was inspired by a number of sources as well. Not the least of which would be Ong Bak 2, The Raid and Dredd.

Alpha Michael vs Vamp Lord Graysmith was probably based more on the countless hours of pro wrestling I’ve watched over the years than anything else. Natalie cleaning up after Michael, and being the one who actually finishes off Graysmith, was just a fun twist on the typical End Boss Battle.

That concludes my three part blog breaking down The Alpha. I hope you found it insightful and, if you haven’t yet read The Venator Series, maybe it will inspire you to do so. There will be another Venator Series entry in the near future, but be on the lookout for a couple of other works coming from me in the even nearer future.

Thanks for stopping by, and keep readin’!