Ranking The Films Of The DC Multiverse

Since Warner Bros and DC have decided to officially open up the multiverse, I figured now was as good a time as any to list my personal ranking.

This list is primarily based on how much I enjoy each film. Some I’ve seen more recently than others, but I’ve seen every one more than once, so I feel like I’ve got a pretty solid base to work with.

The qualifying criteria to make the list is that it needs to be live action, and a film. Believe me, I know very well that there are a number of awesome animated shows and movies, but this list would be insanely long and complicated if I’d included them.

I debated whether or not to include the Watchmen HBO miniseries, but it is technically a TV show, so I opted not to. The list does, however, include the Watchmen movie from 2009 that brought us (is to blame for?) the Snyderverse vision of the DCEU.

The Dark Knight – Some choices are obvious ones, even if we’d like to shake things up a little bit. But this is best live action versions of Batman, and the Joker, and is directed by Chris Nolan at the top of his game. I do knock it a bit for the somewhat rushed, and abbreviated, Two-Face origin and resolution. But that’s not quite enough to knock it out of the #1 spot.

Batman (1989) – This one came out when I was 10 years-old and, to this day, I can still quote it nearly verbatim. My mom took me to see the movie, and we waited in-line for hours while showing after showing sold out. Then, in a ballin’ mom moment, she decided to let me stay up for a midnight show. That left a huge impression on me, and so did this movie. It’s iconic in many ways, and so it finds itself at #2 with a bullet.

SHAZAM! – This one being ranked so high frankly shocked even me. But I’ve seen it a few times, so the rewatchability factor is strong, and I’ve even shown it to my 5 year-old son. I just really love its Gremlins/Goonies sort-of-horror vibe. The fact that it is clearly based in a world where our favorite superheroes exist, and the characters respond to those heroes exactly like you’d imagine people would, makes me feel pretty good about placing it this high.

Batman Begins – A true turning point in the superhero movie genre. Coming out in 2005, it took what worked in the Tim Burton films, as well as in more recent comic flicks like Blade and X-Men, and took things to the next level. A much needed course correction after Batman Forever and Batman & Robin sent the Bat franchise flying off the rails.

Wonder Woman – Just a super-solid film, top-to-bottom (barring a slightly miscalculated CGI smackdown in the climax). But everything about the movie worked: From its characterizations, to its humor, and its heart. The No Man’s Land reveal and scene, leading directly into the liberation of the small village is one of the most rousing 15 minutes you’ll ever see in a superhero film. I’m not sure you’ll ever see a more perfectly cast Wonder Woman than Gal Gadot.

Batman Returns – I like Christmas, and find carnivals slightly unnerving, so this was right up my alley. Definitely had more Tim Burton DNA than the 1989 movie, but that’s not necessarily a bad thing. Still a highly watchable film.

Aquaman – I never had much interest in the guy who can talk to fish, but this movie turned me around almost entirely by itself. By tapping into the Arthurian Legend side of Aquaman’s story, it was able to transform the underwater world into an eye-popping extravaganza. A charismatic lead performance by Jason Momoa also helped get me onboard for the ride.

Man Of Steel – This one took a bit of a pounding in the years after its release for the mass destruction of Metropolis, but I don’t think the casualty rate was intentional when it was being made. I did re-watch it recently and, while I still don’t care at all for Kevin Costner and Zack Snyder’s characterization of Jonathan Kent, there is still a lot I like. Henry Cavill is a fine Superman, Amy Adam is always reliable, and I somehow forgot that Russell Crowe was in this movie. But the superfights, for all their (presumably) unintended consequences, were the sort I’d wanted to see ever since I first saw our next entry.

Superman II – Lots of problem with this one, especially with an uneven tone that likely was spawned by passing through several different screenplays, and directors. But Christopher Reeve will always epitomize the big screen Superman in a way that no one else can. Terence Stamp is a lot of fun, and don’t think “Kneel before Zod” hasn’t been kicking around in my lexicon for 35 years. But there was another great line that sometimes doesn’t get its due for boiling down the greatness of the Man of Steel into one question “General, would you care to step outside?”

The Dark Knight Rises – I think this one suffered greatly from the loss of Heath Ledger, as having the Joker play a sort of Hannibal Lector monster-in-a-glass-cage role would have been a real treat. Some of the twists seem obvious and unneeded, and the natural upping of the sequel’s scale got a little unwieldy. But Tom Hardy is legitimately frightening as Bane, Anne Hathaway is a decent Catwoman, and Christian Bale nails it one last time as Bruce Wayne/Batman.

Zack Snyder’s Justice League – You can find my deep dive right here.

Superman: The Movie – Yes, this is the one that started it all, but it doesn’t really hold up all that well to a modern eye. The pacing is a bit too methodical once you’ve seen literally dozens of these films razzle and dazzle you from start-to-finish in the proceeding years. Lex Luthor & company are too jokey for my taste, Lois Lane’s “Can you read my mind” inner monologue/poem is hokey as hell, and Superman spinning the world backwards will never not get an eye-roll from me. Still, I’ve got to respect what it was able to do by kicking door open for all the comic book adaptations that would later come.

Superman Returns – I could (and likely will) write a whole separate blog about how this was the single biggest missed opportunity in the history of comic book films. But, for now, I’ll just focus on why it appears in this spot on my list. There are things I like: The costume looks great, Brandon Routh is a good Man of Steel, and Kevin Spacey delivers as Lex Luthor (and that’s all I’ll say about Spacey at this time), and its overall vibe feels about right. But its devotion to the first two Superman films from another era is a problem. I mean, one of the main plotlines stems from Superman II’s bizarre, and morally-disturbing-in-hindsight Super Amnesia Kiss. Also, the fact they chose not to have Superman face off with a physical threat in 2006 – when they had the technology to make it work- was a really questionable choice.

Wonder Woman 1984 – I feel like history will be kinder to WW84 than the immediate backlash was. Kristen Wiig is fine as the friend-turned-super-enemy, and Pedro Pascal is clearly having a ball. But they probably should have chosen one villain or the other, rather than trying to cram them both into a single film. Still, unlike the movies lower on the list, I wouldn’t really call WW84 a bad film. Though, it certainly could have been better.

Justice League (The Whedon Cut)- This felt like a 2 or 3 episode arc of the animated Justice League cartoon. And I say that as both a compliment, and a complaint. It was as quick, and to-the-point as the animated series, which would have worked just fine it if wasn’t also was chopped-up, reshot, undercooked, and overbaked. But I’d be lying if I said that Superman showing up just in the nick of time (weird CGI’d upper lip and all) and throwing a full-on beatdown on the heretofore unbeatable big bad Steppenwolf, doesn’t still make me smile.

Birds Of Prey – I was glad that Margot Robbie had a chance to do a little more justice to Harley Quinn than she was given in Suicide Squad. But the other protagonists of Black Canary and Huntress simply didn’t make any impression on me. Maybe, if they’d had them in cooler, more comics-accurate costumes, it would have been a bit more striking. Who knows? Maybe their lack of screen time together would have been a deal-breaker regardless. But Ewan McGregor and Chris Messina are fascinatingly unsettling, and that keeps this movie ranked about the bottom tier.

Joker – A very mediocre movie buoyed by a great lead performance by Joaquin Phoenix. I don’t have a lot more to say about this movie as-a-whole since, like I said, I felt everything other than the lead role was pretty “meh”. I will say that, when Phoenix finally dons the make-up, and blasts the punchline into Robert DeNiro’s face, I had to nod in-approval. Too bad they waited until the last 15 minutes of the movie to actually get to the “Joker” part.

Batman V Superman: Dawn Of Justice – I wanted to love this movie from the time I saw the first teaser trailer, all the way up until the final frame. But it failed on virtually every level. If they had re-written the Bruce Wayne part to be Lex Luthor, and completely dropped the Riddler-esque version of Luthor Jesse Eisenberg deposited on-screen, this movie may well have been near the top of my list. But grim-and-gritty doesn’t work for Superman, and we really didn’t need to get to Doomsday so quickly. The fact that Snyder felt the need to kill Superman three different times in this movie probably tells you all you need to know about how he feels about the character. Batman simply drops too many bodies to ignore, though the warehouse fight may have been the best Batman fight captured on film. Wonder Woman was a nice surprise, but not nearly enough to save BvS from itself.

Batman Forever – Sort of caught between the goth world of Batman Returns and the pinball machine aesthetic of Batman & Robin, this one had a few redeeming qualities. Val Kilmer is pretty decent as both Bruce Wayne and Batman, for example. The movie is amusing enough to sit through without being aggressively terrible. But Tommy Lee Jones plays Two-Face completely wrong. He really shouldn’t have tried to out Jim Carrey Jim Carrey (who is, somehow, more nuanced in his role as The Riddler than Jones is). I normally like Chris O’Donnell, but they really should have gone for a younger Dick Grayson/Robin.

Watchmen – The movie looks great, so I can understand why WB liked Snyder enough to usher in their next wave of movies. But, thematically, he’s much too comfortable with Objectivism and mankind’s moral failings to be the right man for bring DC’s most prominently hope-inspiring characters to life. But, those leanings worked well for Watchmen. I almost had this one higher on my list due to a handful of scenes and moments that were really cool. But, ultimately, they never should have tried to adapt this with anything less than 10 hours or so to work with.

Green Lantern – Full disclosure: I totally forgot to add this to my initially published list. But, really, can you blame me? I don’t have a whole lot to say about it. Ryan Reynolds had the completely wrong vibe for Hal Jordan, though he found a superhero sweet spot just a few years later with Deadpool. Presenting Parallax as a giant fart cloud, and Hector Hammond as a walking scrotum probably weren’t great creative choices. But the Lantern costume effects were not terrible. All-in-all, a very forgettable entry in the comic book movie canon.

Movie poster, Superman III, 1983. 1987.0213.032.

Superman III – Weirdly, this was the closest they’ve ever come to unleashing a live action Brainiac. If they ever get around to making a proper Man Of Steel sequel, he needs to be at the top of their villain list. The movie is just not good, and there’s not a whole lot to say about it. The one cool Evil Superman vs Clark Kent junkyard fight that may-or-may-not have been a delusion brought on by a Kryptonite-induced psychotic break is really the only thing keeping this ranked above the bottom-feeders below.

Batman: The Movie (1966) – I mean, they clearly made exactly what they wanted to make here. It just so happens that it doesn’t work for me at all. This silly movie, and the silly show that followed, are the reason why no one tried to make a remotely serious superhero movie until 1978. But, again, they did all that on-purpose. Which is the only thing that separates Batman: The movie from the remaining films on the list.

Superman IV: The Quest For Peace – My dad took my to see this on when I was 8 years-old, and I’m pretty sure the Nuclear Man scratching Superman’s neck with his radioactive fingernail thus somehow transforming the Man of Steel into a cardigan-wearing elderly man made me cry. But, anyone older than 8 years-old, can see just how cheaply this was made. And just how minimal the effort was to throw the character’s name on a poster, and try to cash in. It’s pretty much unwatchable.

Batman & Robin – The movie that killed Batman movies for almost a decade. I suppose this gaudy piece of eyeball puke was the rock bottom that superhero movies needed in order to reset. So, in that respect, I suppose we owe it a weird debt of gratitude. Just not enough of a debt to ever sit through it again.

Suicide Squad – Just a complete mess, pure and simple. Like Justice League, this one was all chopped up, and then Frankensteined back together two or three times, and it shows. The difference is that Justice League at least had iconic characters that I wanted to see on-screen. Suicide Squad did not, to say the least. Characters are introduced multiple times, and extremely lazy song needle drops pervade the entire first act. The story itself makes zero sense starting right from Viola Davis’ (as Amanda Waller) question “What if Superman had decided to grab the President of the United States right out of the Oval Office? Who would’ve stopped him?” The answer is the same as my answer regarding who I want to watch a movie about: “Absolutely not any of these guys.”

Defending The Justice League

Justice League opened last weekend with a disappointing $96 million domestic box office gross (though it made about twice that much overseas). Expensive, and extensive, reshoots were clearly a part of the reason why this is a disappointing opening. But the important thing is that the reshoots worked, and the movie is closer to what it needs to be that it would have otherwise been.

Spoilers Ahead.

The best summation I can offer is that this movie felt like a two-hour episode of the Justice League cartoon that I always was (and still am) a big fan of. It was pretty simple, very streamlined, and actually fun. This is a good thing compared to where the DC Expanded Universe was previously.

This movie had to accomplish some lofty goals and, for the most part, it attained those goals. Aquaman, Flash, and Cyborg came in with a clean slate, and they each acquitted themselves well. Wonder Woman was coming off her own excellent movie (far and away the best of the DCEU so far), so she came in with some cred and swagger. Batman and Superman, however, were in need of massive image rehab after the character assassination that was Batman v. Superman.

Batman and Superman were both in fairly decent shape coming into BvS. Christopher Nolan had made three damn good Batman movies since 2005 (not technically part of the DCEU) and unlike many people, I rather liked Man Of Steel. The issues that I had with it had nothing to do with Henry Cavill’s performance. My main gripe was the way Jonathan and Martha Kent gave the sort of life lessons to Clark that would make more sense in the Bizarro Earth.

Sure, Man Of Steel was far from perfect, but it did have the best live action Superman fight sequences of all time (massive Metropolis civilian body count aside). Then BvS made Superman a pouty Emo boy, and Batman a murdery, caped Punisher. The less said of everything Lex Luthor-related, the better. So Justice League’s primary mission had to be “Make the audience want to see more Batman and Superman movies.” To that I say mission accomplished.

Yes, the movie had issues. The flow of the movie felt choppy in places, and the CGI looks a lot cheaper than the supposed price tag would suggest. I suspect that both of these issues were due, in large part, to the necessary reshoots. The important thing is that I came out of the movie actually looking forward to seeing more movies starring any and all of these characters.

The Flash has most of the best lines. Aquaman seems like a cool hang. Cyborg’s story looks like it could go to some interesting places. Wonder Woman is still all good. Batman plays more like a Caped Crusader than a bloodthirsty maniac. And, out of all this, Superman was probably the highlight of the film for me.

For the first time since Superman II (1980) I was able to look at that character on the big screen and say “Now THAT is freakin’ Superman!” (Honorable mention to Brandon Routh and Tyler Hoechlin, who played decent Supermen with sub-par action surrounding them). A sort-of-amnesiac Man of Steel taking on the rest of the League is a cool set piece, but his big return in the climax of the film is what really won me over.

When he arrives just in the nick of time to give the team the final push towards victory, and those few notes of John Williams’ classic Superman Theme hits, it almost impossible not to get goose bumps. I’ll admit that Danny Elfman sampling his own Batman Theme along with Williams’ is a bit of a cheat code, but damned if they didn’t do the trick.

Anyway, Supes lays some smackdown on a giant alien bully, flies off to save a literal building full of civilians, then flies back to beat the crap out of the bad guy some more. It was the perfect use of Superman. If they can keep that going, then the granddaddy of all superheroes’ future is in a very good place.

Don’t get me wrong, the next round of films still need to be better. But, after Wonder Woman and this, I feel like the compass needle of the DCEU is finally pointing true north. Now, DC’s most iconic villains – Lex Luthor and The Joker – are still in desperate need of some character rehab. But at least DC/WB finally looks they they’re aware of that fact. And, hey, retcons have been a part of comic books almost as long as capes and tights have. So there’s hope.

I’m of the belief that having more good comic book movies is a wonderful thing. Marvel Studios has been banging them out of ten years now, hopefully Warner Bros comes to the understanding that the loss they may take from Justice League will lead to bug gains in the future. After all, if they started out making the movie they ended up making, it would have been cheaper (relatively speaking) and better.

Besides, you’ve still got a few weeks before The Last Jedi opens, and Justice League is definitely worth the fairly meager 110 minutes of your time. Did I mention this movie runs under two hours? It’s a nice break from the regularly inflated comic book movie runtime, and is another point in the film’s favor. So my real review is this: Go ahead and give it a shot. If you go in with realistic expectations, you won’t be disappointed. And, honestly, that’s only the second time I can really say that about the DCEU.

 

Batman v Superman v Batman & Superman

I’m about to lay out my take on Batman v Superman, so be warned, there are massive spoilers ahead.

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The majority of reviews were pretty harsh on this movie and, to be honest, mine will be as well. But there were some things I liked about Batman v Superman, so I’m going to hit on those first.

One big positive takeaway was that Ben Affleck and Gal Gadot were both very good in their roles. They really did the best you could expect actors to do considering the material they have to work with. Their performances managed to get me interested in seeing solo Batman and Wonder Woman films. One other sort of character note was that Doomsday was scary as hell, so they nailed that.

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This movie, like any other Zack Snyder film (even Sucker Punch), was great looking. Say what you will about his movies as a whole – and I will do so below – but the guy knows how to work an aesthetic. A more specific example of this is that, like in Man Of Steel, the fight scenes were all very well executed and exciting.

Some of the content from said fight sequences were questionable, but you can’t question that they were purely visceral. I’d like to also single out the scene towards the end where Batman systematically takes out a group of thugs is genuinely the best cinematic realization I’ve ever seen of the Dark Knight in full ass kicking mode.

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Now for the rest.

Batman v Superman was absolutely joyless. Everyone acted like a dick to everyone else, and it seemed like the movie took place in a parallel world where smiles were punishable by death.

I’ve seen Henry Cavill be charming in other things, like The Tudors and The Man From U.N.C.L.E. But he’s not allowed a single moment of levity in this movie. Superman was all dour and depressed and nothing else. You think that you’d got to at least give the guy a chance to show how simply awesome it is to be Superman, but apparently you’d be wrong.

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There’s a montage of him saving people and, in every example shown, he looks like he’s pissed off at having to pull these fools’ asses out of the fire (literally in some cases). That is not Superman. Superman, in pretty much ever incarnation, enjoys saving people and gets a sense a purpose and satisfaction from doing so. Zack Snyder’s version has more in common with Dr. Manhattan from Watchmen, a distant and removed God among mortals doing what we must for no other reason than because it’s expected of him.

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I’m well aware that Snyder directed a pretty good adaptation of Watchmen in 2009, but he clearly didn’t understand that Dr. Manhattan was meant to stand in stark contrast to Superman. He was written to be a version of Superman who lost his humanity, which is quite possibly the defining characteristic of Kal El. Even clinically gloomy Alan Moore wrote a more relatable Superman in stories like Whatever Happened To The Man Of Tomorrow and For The Man Who Has Everything.

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Batman, meanwhile, was blowing people up left and right with no regard for whether they lived or died. That works for a certain type of protagonist, but it is not who Batman is. Tossing severe beatings to the bad guys is very much within the Dark Knight’s wheelhouse, and flipping over their cars is par for the course. But Zack Snyder could not lay off the explosions. A flipped car here and there is cool but, for crying out loud, they do not need to explode and ensure that everyone in the theater has no doubt that those dudes are dead.

I was willing to give Jesse Eisenberg the benefit of the doubt in his portrayal of Lex Luthor, even though the trailers gave me some pause. But he played Luthor as a jittery bundle of nerves, which seemed like the exact opposite of an appropriate characterization. I’m all for giving an established character a bit of a different spin, but completely routing out the traditional cold and calculating core of Lex Luthor is doing a disservice to the character.

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Which brings up to the real problem. Warner Bros has never trusted the source material for their DC comics adaptations. Meanwhile, Marvel pretty much films the trade paperbacks panel by panel. As such, WB gave the keys to Zack Snyder and David Goyer, neither of whom seems to have any real affinity for the legendarily storied history of Batman or Superman.

Everything is darker, grittier, more violent, and more melancholic than it ought to be. And this comes from a guy who really liked the dark, gritty, violent Dark Knight Trilogy. But it’s just not the right tone for a movie that includes Superman and Wonder Woman. If I had to guess, I’d say the general flaw in their thinking is that they need to makes things as stylistically different from the generally bright and sunny tones of the Marvel Cinematic Universe. As a result, they’ve painted themselves into a corner.

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Yes, Batman should have some edge and darkness. But Superman is meant to represent the diametric opposite of that. If the symbol on his chest stands for hope, then why is his outlook – and the outlook of this film – so hopeless? BvS just came off as Dark v Darker, and this ain’t Punisher v Wolverine (as awesome as that would be). The filmmakers simply pressed too hard for distance between their brand and the Marvel brand, and ended up in a shadow realm.

WB Films should take some notes from their TV brethren. Greg Berlanti and his team have made a fully fleshed out and realized world that is the closest thing to a comic book brought to life ever seen to television. Arrow, The Flash, and Supergirl bring the heart and the fun to the party. In fact, the recent crossover episode they had might as well have been called Supergirl xo The Flash.

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But these shows also manage to hit the darker notes when they need to. The big difference being that they don’t start off somber leaving only a deeper abyss to descend into when they want to raise the stakes. When you feel the need to have Superman beaten down by Batman, blown up by a nuclear missile, and THEN stabbed through the chest by Doomsday in the same night to make a point about how hard it is to be a hero, then maybe you ought to reconsider your starting point.

There were other issues with BvS, such as too many nonsensical subplots, and an Apokolips teasing dream/vision sequence that absolutely no one would have missed had it ended up on the cutting room floor. Yes, it was cool to see parademons, Darkseid’s omega symbol burned into the ground and the classic Apokolips fire pits. But all that ate up 10 minutes of screen time that did nothing to serve the story as a whole.

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Here’s the thing, I did appreciate the film for what it was. It had a lot of heavy lifting to do in order to be the launching point for a new muti-film franchise. It wasn’t what I’d call enjoyable, but I will certainly watch it again when it’s released on home video, even if I happen to zone out through a good half of it. And I am glad that it had a massive, record breaking opening weekend. A unified DC Universe deserves the chance to exist on the big screen. The upcoming films on the slate simply need to do better in terms of quality.

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Maybe giving Snyder and Goyer a little time out, and allowing some DC people like Geoff Jones and CW people like Berlanti a place at the table would be beneficial. I’m not especially hopeful that WB suddenly decides that 80 years of continuous interest can translate to the movies, or that Snyder and Goyer will step back and re-evaluating their vision for the DC Cinematic Universe.

But the world of pop culture and entertainment will be a more interesting place with good, proper DC movies hitting the theaters every year. I just hope they can get out of their own way enough to get it right.